A newly created music festival is making
waves in the north west,
and Easter Monday, April 6, sees its classiest project yet.
Violinist Tom Elliott is artistic director
of the Glossop Music Festival – his wife is Katherine Baker, principal flute of
the Hallé, and a whole community of classical musicians are behind the
project.
Their Easter concert is Bach’s St John
Passion, with star soprano Elin Manahan Thomas taking part, and singers from
the Dunedin Consort and other Bach specialists as soloists, chamber choir and
orchestra – including Joel Hunter, principal viola of the Mahler Chamber
Orchestra, and Sarah McMahon, principal cellist with the Academy of Ancient Music.
Venue is Glossop Parish Church,
which Tom says has amazing acoustics.
It hosted a first festival last summer, and
there’ll be another this year. It all began with a chance remark by Tom’s old friend
and colleague from the Royal Academy of Music, Viv McLean, a concert pianist
who performed with the Hallé early in 2012.
Tom
says: “He stayed with us in Glossop and asked us: ‘Is there a music festival
based here?’ I said: ‘No, I don’t think so,’ and he said: ‘Why don’t you start
one?’ It all went on from there.”
Viv has
already given recitals in Glossop, the last one in December, when he played
Poulenc’s flute sonata with Katherine Baker. The festival’s built around personal
friendship, with conductor Chris George and orchestra leader Matthew Truscott
(who trained at Chetham’s and is a historical-performance specialist) both Tom’s
former colleagues.
Tom and
Kath have lived in the centre of Glossop for almost 10 years, and have three
boys: Arthur, 9, Henry, 7, and Felix, 5.
“When we
began our family I was away about six months out of the year, and after our
second child it was clear this wasn’t going to work for much longer. So I
decided to take a break and do other things.” Those included forming his own
company to fit solar panels to houses, but he says he didn’t find it very
emotionally satisfying, compared with music.
“Now I
teach the violin full-time, both in local schools and privately – and
organizing the festival is going to keep me busy. Hopefully we’ll persuade some
more of our friends to take part – and we want children
to be included whenever possible. We don’t charge them for admission to
concerts, as long as their parents come.”
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