MANCHESTER International Festival isn’t the
only one in the coming week – not for lovers of opera, books and classical
music, anyway.
There’s also Buxton Festival, which begins
its three-week, event-packed programme on July 10 with a gala concert.
Artistic director Stephen Barlow, a major
opera and orchestral conductor, and brings his wide range of sympathies to
Buxton – and his extensive network of top classical musicians.
“What we aim to do is to provide, day after
day, from 9am to sometimes nearly midnight, a variety of what are called ‘the
high arts’,” he says.
“The real point about what we do is that
everything is new, all the time.
“You’ll see some works you’ve only heard
about, and some you may know reasonably well, but everything is fresh minted
for the event.”
His opera programme this year includes an
early work by Verdi, Giovanna d’Arco (with Kate Ladner, who scored a big
success in last year’s Otello by Rossini, in the title role), and Donizetti’s
Lucia di Lammermoor. Both are staged by the festival itself, and there’s a
concert version of Louise, by Charpentier. Stephen Barlow conducts the last
two, and Stuart Stratford, recently appointed music director of Scottish Opera,
the first. Giovanna d’Arco (opening July 11) is directed by Covent
Garden favourite Elijah Moshinsky – ‘the most experienced Verdi
director alive today’, as Barlow describes him. “He’s chosen to come to Buxton
for the same reason I love conducting here,” he says. “The theatre acoustic is
wonderful, and it’s a perfect stage for opera as drama.”
The tenor lead is sung by young Briton Ben
Johnson, who Barlow predicts will make this the springboard to a very big
career.
Donizetti’s version of Sir Walter Scott’s
highland story, Lucia di Lammermoor, opens on July 12 and is, Barlow says,
‘perfect for this theatre’. Soprano Elin Pritchard makes her debut in the title
role, and tenor Adriano Graziani is debuting as Edgardo. Familiar names Stephen
Gadd, Bonaventura Bottone and Andrew Greenan are also in the cast.
And Louise (opening July 16) is ‘a
to-die-for French romantic opera’, says Barlow. “It’s about Paris in the era of the ‘bohemians’ – full of
tragedy, romance and the most beautiful music.”
That’s not all there is to Buxton en fête, of
course – the English Consort present their staging of Purcell’s Dido And Aeneas
(opens July 13), alongside a huge variety of concerts and recitals. Check it out.
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