THE BBC Philharmonic’s exploration of The
American Way – mainly marking the life, work and likes of Leonard Bernstein –
takes a lively plunge into 2016 at the Bridgewater Hall with some real fun
music (January 16).
Conductor is John Wilson, the cool Geordie
lad who’s become a favourite for his reconstructions of vintage movie scores.
On the programme are works by Aaron Copland (his suite from Billy The Kid and
his Organ Symphony), Erich Korngold (his suite from The Adventures Of Robin
Hood), Philip Glass and Charles Ives.
And the soloist is our own organist
supreme, Jonathan Scott – often heard at the console of the hall’s big pipe
organ in solo recitals and supporting orchestras. Jonathan is one half of the
hyper-talented Scott Brothers Duo, with his pianist-animator brother Tom (who’s
playing celeste in the same concert), and they’ve just released their latest
organ and piano duo CD.
The Scotts come from Failsworth and were
trained at Chetham’s and the Royal Northern College of Music. Say’s Jonathan: “Our
grandfather came from Oldham – in fact he
lived next door to William Walton’s family at one time.
“I always wanted to play something. It was
the violin at first – but I failed the clapping test at school so I didn’t get
one.
“But I went for piano lessons, when I was
10, with this amazing old lady called Marion Barnett. She must have been in her
80s then. She only charged 50p a lesson.
“Opportunity
is a big thing in music. I’m amazed when I think back about how we became
musicians. It was really a series of flukes and chances.
“But our mum and dad have always been
great, and we often play things to them and ask their opinions. They were
always supportive. And the great thing about Chet’s is that anyone can get in
there so long as they can really play an instrument.”
Jonathan is in demand widely, but true to
his Mancunian roots. “Manchester
is a brilliant place to play – people are so supportive,” he says. “There’s a
friendly feeling about concerts here.”
Hopefully there’ll be a few chuckles, too,
at this BBC Philharmonic concert. It starts with Jonathan as soloist in Charles
Ives’s Variations On America. ‘America’
is the stateside name for the tune we call God Save The Queen, and Ives’s
variations on it are probably the only laugh-out-loud music ever written for
the classical organ.
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