AS Manchester’s classical music goes into summer holiday
purdah for the next three weeks or so, I’m taking a long view of the coming
winter-spring season’s highlights – starting today with the big battalions of orchestral
and choral music.
Both the BBC Philharmonic and Hallé have choral works to offer at the Bridgewater Hall early in the
season: Haydn’s Die Schöpfung
(The Creation) from the BBC Philharmonic under Juanjo Mena on September 24, and
Beethoven’s Choral Symphony from the Hallé on October 6, conducted by Sir Mark Elder (with scenes from Verdi’s
Macbeth to precede it – quite a contrast). The BBC Phil employ the City of
Birmingham Symphony Chorus – and they’re doing The Creation in the German
version – and of course the Hallé
have the Hallé Choir.
At the end of the season the two symphony orchestras join
together for one of the biggest Romantic blockbusters in the repertory:
Schoenberg’s Gurrelieder. It comes on June 4, and the Hallé and BBC Philharmonic will combine with the
Hallé Choir, Sir Thomas Allen
as narrator and five top soloists under Sir Mark Elder’s baton. It’s just after
Sir Mark’s 70th birthday, and billed as ‘a celebration for one of
British music’s most treasured figures’.
That birthday is
one he shares with composer Edward Elgar, and in March he presents an Elgar
festival with the Hallé
including the first symphony, ‘Enigma’ Variations and The Dream Of Gerontius
(March 9 to 12).
There’s much more to
be excited about, of course – I’d point to Tippett’s A Child Of Our Time,
performed alongside Britten’s nearly-contemporary Sinfonia da Requiem, by the Hallé under Ryan Wigglesworth (October 27), an
evening featuring virtuoso organist Jonathan Scott collaborating with conductor
Cristian Mǎcelaru and the Hallé
(February 9), and the BBC Philharmonic in Bach’s St Matthew Passion, with
Manchester Chamber Choir and Nicholas Kraemer (April 14, Good Friday).
And each of the big
two has a world premiere to share with us: the Hallé on April 20, with Huw Watkins’ Symphony,
and the BBC Philharmonic on May 26, with Mark Simpson’s NOX – a concerto for
cello and orchestra (soloist Leonard Elschenbroich).
Visiting orchestras
at the Bridgewater Hall include the St Petersburg Philharmonic (always
wonderful) on January 27, and the Orchestra of the Age of Enlightenment in the
complete Bach Brandenburg Concertos on May 11.
Then there’s the Hallé’s performance of Wagner’s Das Rheingold on
November 27 – but that’s next week’s subject: opera.
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