CDs of my year: a personal selection

Here’s a personal set of CD reviews for Christmas – maybe these could help solve your present problems …

Wagner: Parsifal (soloists, Hallé Orchestra, Royal Opera Chorus, Hallé Youth Choir, Trinity Boys Choir, conducted by Sir Mark Elder: Hallé HLD 7539 , 2CDs)

This is a BBC recording of the complete Parsifal given by Sir Mark Elder and the Hallé at the London Proms last year, issued on the Hallé label as a 70^th birthday present for Sir Mark in June this year. It sounds remarkably well, considering the Royal Albert Hall was the ‘studio’, and the performance itself is superb in every respect. Personally I find the work something of an acquired taste, but it’s clear that Si Mark has acquired it, and he sustains the atmosphere of rapt contemplation throughout (he calls it a ‘one-shirt work’ in contrast to the other Wagner music dramas for which at least two shirts’ worth of perspiration is needed). If you can handle hearing all those Dresden Amens (a Lead-Kindly-Leitmotif, if ever there was one), then this is for you, too.

Vaughan Williams: Symphonies nos. 4 and 6 (Hallé Orchestra conducted by Sir Mark Elder: Hallé HLL 7547)

Sir Mark and the Halle have already recorded VW’s symphonies 1, 2, 5 and 8 to considerable acclaim, and this is an equally notable document. The works are each in their own way ‘war’ symphonies, the fourth dissonantly angry and full of foreboding (though with beautiful melody, too), the sixth seen by many as post-war reaction to the horror of Hiroshima, with its long, almost featureless and eery finale. Sir Mark always brings freshness and clarity to his music, and this is no exception.

Scriabin: Symphony no. 2; Piano concerto (Oslo Philharmonic Orchestra, Kirill Gerstein, conducted by Vasily Petrenko: LAWO Classics  LWC1139)

Scriabin’s earlier works are being championed by Vasily Petrenko and the Oslo Philharmonic, and offer a few surprises to the listener who (like most of us) does not know them as regular concert repertoire. They’re closer in style to the high Romantic vein of Tchaikovsky and Rachmaninov than Scriabin’s most visionary, later music, which makes them a rewarding experience in the hands of such a great-sounding orchestra as this and its highly gifted conductor – also music director of the Royal Liverpool Philharmonic. On the other hand, they’re somewhat uneven, the major example of this being the finale of the second symphony, where after a seriously discursive first two movements (like a vast slow introduction and allegro), a beautiful Andante and a lively scherzo, descends into mere vainglorious posturing where something much weightier is needed. But well worth hearing for the beauties along the way. 

‘Suites and Fantasies’, various composers (Joo Yeon Sir, violin, Irina Andrievsky, piano: Rubicon RCD1003)

As debut discs by solo violinists go, this is an exceptionally rewarding and entertaining one. Joo Yeon Sir’s technique is fabulous, and she is recorded by Andrew Keener and produced by Matthew Cosgrove – both signs of superb quality. She and Irina Andrievsky play the charming pastiche (or is it?) Suite in Old Style by Schnittke, Falla’s Suite Popular Española, Britten’s youthfully spiky Suite for Violin and Piano op. 3, Milhaud’s Le Boeuf sur le Toit, and Frolov’s Concert Fantasy on themes from ‘Porgy and Bess’ – what’s not to like? Highly recommended.

‘The Silver Stars at Play’, contemporary Christmas carols (Kantos Chamber Choir, directed by Elspeth Slorach: Prima Facie PFCD075)

A great idea to fill a CD with new, or mainly new, settings of Christmas music, sung by Kantos, the choir of emerging professional singers of the north west, conducted by their director Elspeth Slorach. There are many little gems here (though, as with any collection of such a kind, the quality of the material varies), among them Paul Ayres’ Hodie Christus natus est, Cheryl Frances-Hoad’s This Time is born a Child, Andrew Cusworth’s Of a Rose, Peter Maxwell Davies’ Child of the Manger, Andrew Mayes’ Christmas Music and Mark Hewitt’s Silent Night setting – and the title piece, by Colin Hand.

Adam Gorb: Dancing in the Ghetto and other works (Royal Liverpool Philharmonic 10/10 Ensemble, conducted by Clark Rundell; Royal Northern College of Music Wind Ensemble, conducted by Mark Heron and Timothy Reynish; Manchester Camerata, conducted by Mark Heron: Prima Facie PFCD047)

This collection of recent works for large ensembles by the Royal Northern College of Music’s head of the school of composition – whose highly crafted writing I always find stimulating and usually very enjoyable – has two pieces with the kind of over-the-top, klezmer-influenced, knees-up dance rhythms he’s so good at (Dancing in the Ghetto and Weimar), along with his Symphony no. 1 in C, which is light-hearted, a little bit referential and enormous fun, and Serenade for Spring, which does exactly what it says on the tin. The last piece, Love Transforming, is a long, slow, deeply felt single movement written for Timothy Reynish’s 75^th birthday concert and a very different kind of music, but equally intense. I was there for the concert when it was unveiled, and though the recording cannot capture the spatial effects it creates alongside exploring fascinating timbres, I’ll stick to my verdict then that it is ‘both evocative and a model of how to write clearly and imaginatively for unusual textures’.

Anthony Gilbert: ‘Travelling with Time’, recent music on historical themes (various performers: Prima Facie PFCD041)

A collection of pieces written over the past 30 years by Adam Gorb’s predecessor at the RNCM, Anthony Gilbert, this links them together by imagining a journey through history from the 9^th century to the 20^th, with music for voice, instruments, cello, piano, string quartet and string orchestra. The stand-out for me is Another Dream Carousel, an evocation of Viennese life prior to the Nazis’ horrors – I admired the Northern Chamber Orchestra’s playing of this when it was new in 2000 and it’s good to have it on this disc.