Alzira completes the trilogy of early Verdi operas performed at the Buxton Festival in recent years under Elijah
Moshinsky’s direction. In Giovanna D’Arco
in 2015, and last year Macbetto (the
original 1847 version), he showed his awareness of human and relationship tensions in Verdi’s work and brought them
clearly to the fore.
He also made use of video projection and
sound effects to evoke the scenarios. With Russell Craig as designer and
Stanley Orwin-Fraser as video designer again, we have impressive results this
year, too.
The story (based on Voltaire) is about
Incas rebelling against their Spanish conquerors several centuries ago.
Moshinsky’s brought it up to date and made it show guerilla fighters harassing
a present-day (or near present-day) Peruvian government. The heroine (title
role) is in lover with the peasants’ leader, Zamoro, but is captured by
government forces and mercilessly used by their leader Gusmano: he forces her
to agree to marry him in order to save the life of Zamoro. In the end Gusmano
gets his just deserts, and before he dies he has a (rather unconvincing) change
of heart and forgives his enemies.
Moshinsky and his team see themes of nature
and innocence versus power and cruelty in this, and the projections show the beauty
of the jungle as a contrast to the stifled atmosphere of government: they also set
a few scenes by using the small side-title screens and remind us of the human
cost of political violence with what looks like authentic news footage.
The opera is Verdi’s shortest and least
often performed: this is the first fully staged version in the UK. It does not
have the depth of much other Verdi, but has a concision of construction and
kaleidoscopic variety of mood almost akin to fast-cut movie direction, and
these mean it has much to offer still.
The reason it doesn’t often get put on is
probably to do with Cammarano’s plot. But there are some thundering good tunes
(with several marches and a drinking song), and with retiring artistic director
Stephen Barlow conducting again, plus a strong cast and well-resourced company
(a bigger chorus than Buxton’s often managed historically), the musical results
are first-class. It’s stirring stuff.
Kate Ladner (Alzira) has strength and
stamina in her voice and expresses tenderness and courage rapidly alternating. Jung
Soo Yun cuts the right dash as Zamoro and is a very fine tenor. James Cleverton
makes Gusmano as believable as probably anyone could, while singing with
distinction, while Graeme Danby brings maturity and experience to Gusmano’s
father, Alvaro.
Jung
Soo Yun and Kate Ladner in Verdi's Alzira
No comments:
Post a Comment