The RNCM hosts a concert on 21st September that could be a real landmark. It’s not an event confined to Manchester – rather, one of a series that begins in Russia and then moves to the UK for performances at Symphony Hall in Birmingham, the Royal Concert Hall in Nottingham, Leeds Town Hall, the Usher Hall in Edinburgh, The Anvil in Basingstoke and finally Cadogan Hall in London.
It’s the inaugural tour of the Britten-Shostakovich Festival Orchestra, a project pioneered by conductor Jan-Latham Koenig to bring young musicians from Russia and Britain together to play and perform – a bit like Daniel Barenboim’s West-Eastern Divan Orchestra, which likewise is about young musicians coming together and creating links across cultural and political boundaries.
Behind it is a group of top musical training institutions, both in Russia and the UK, of which the RNCM is one, plus some high-placed well-wishers and sponsorship from BP and its Russian counterpart, Rosneft.
Latham-Koenig is well placed to make this idea happen, as he’s chief
conductor and artistic director of Moscow’s Novaya Opera Theatre – the first and only
British conductor appointed to lead a Russian cultural organisation. The orchestra’s name, obviously enough, derives from the
friendship that developed in the 1960s between Benjamin Britten and Dmitri Shostakovich,
bridging what were then the big divides of the Cold War. With help from their mutual friend,
cellist Mstislav Rostropovich, both Britten and Shostakovich were able to cross
the ideological boundaries of the time.
Taking part are 87 young players, 52 from Russia and 35 from the UK, who will have been welded together for a week, in Sochi in Russia, by professionals from orchestras and opera houses. Their Russian dates include the Tchaikovsky Moscow State Conservatory and the Philharmonic Hall in St Petersburg, before they all come to Britain.
The RNCM programme on the tour features Pavel Kolesnikov as piano soloist in Rachmaninov’s Rhapsody on a Theme of Paganini, along with Vaughan Williams’ Fantasia on a Theme of Thomas Tallis, Britten’s Sea Interludes from Peter Grimes and Shostakovich’s Suite for Variety Stage Orchestra.
Among the orchestra members are the newly announced harpist to the Prince of Wales, 24-year-old Alis Huws, and violinist Elizabeth Lister, cellist Abigail Davies, bassist Thomas Betts, bassoonist Christian Bushnell and trumpeter Thomas Watts, all from the RNCM.
Latham-Koenig believes Britten and Shostakovich were the two greatest
composers of the 20th century in their respective countries, and adds: ‘Above
all, they were friends, two geniuses who admired each other. They were
different personalities, but you can see that in subtle ways they were both
influenced by each other’s music.
‘I am thrilled that
we are launching this first British-Russian orchestra in the spirit of a
friendship under unlikely circumstances – the language barrier, which Britten
and Shostakovich contended with, was their smallest obstacle.’
Jan Latham-Koenig and the Britten-Shostakovich Festival Orchestra
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