It's almost Christmas again, and here's a suggestion for something to get for a pianist who wants to venture into the unknown a bit ...
Eric
Craven: Pieces for Pianists volume 1 (performed by Mary Dullea, Métier msv
28601).
Eric Craven is a composer who knows his own mind but doesn’t
impose his own will. These 25 short pieces for piano, published in ‘progressive’
order like an old-fashioned collection of classics designed to be an aid to learning,
are notated in an unusual way.
There are no key signatures (though the score is entirely precise
about which notes are to be played and their relative time values, and there
are bar lines) and the performer can decide their own tempo, dynamics,
phrasing, articulation and pedalling. Craven calls it ‘my Non-Prescriptive
Low-order format’.
Mary
Dullea is a distinguished musician and recording artist who appreciates the
freedom this gives in executing them and the element of improvisation and potential
continuing variation that’s essential to their realization in practice.
Recording them inevitably archives one particular way on one particular day,
and I was a bit surprised at first how little extra characterization she seeks
to impose on the music in these versions – but I guess she’s keen to let the
music ‘speak for itself’ even under Eric Craven’s conditions.
She
rightly divines echoes of a variety of other composers’ styles to be found in
them, and just occasionally you ask yourself why she took certain decisions
(such as keeping the pedal down for a bar or bars when a seemingly sequential or
parallel passage had different treatment) … but the point of the recordings,
which vary in duration from 1 minute 20 seconds to 4 minutes 49 seconds, is
really just to say ‘Here they are – make of them what you will’, and I can only
repeat that invitation.
Dear Robert,
ReplyDeleteWe are very excited to present the teaser for “Adagio for Strings” by Nicholas McRoberts, performed by the Janaček Philharmonic and conducted by the composer https://www.youtube.com/watch?v=v4w7MEJe-Ls
From time to time a truly revolutionary approach appears in music. This is the case with Australian-born Paris-based composer Nicholas McRoberts. His hauntingly beautiful, richly intricate, deeply classical compositions bridge the gap between pleasing but facile film music and interesting but unlistenable contemporary pieces.
The contemporary music establishment hates him with a passion : “The public can not be allowed to hear this - it will set contemporary music back a decade” - Trevor Green, Director of the Australian National Academy of Music
But audiences love the instant appeal and satisfying complexity of his work : “This is the future of classical music” - Dejan Savič, General Manager, Belgrade National Opera
Let us know if you would like any further information or to organise an interview.
All the best,
Laurence
Artist Manager
LLR Artists